Responsive Reading

“But I don’t want to get addicted.”

That was my response to Karen when she announced that she had discovered a new television program to which she wanted me to become addicted with her as she perused the new season offerings of CBS this afternoon. Because I’m not an avid television watcher, I pushed back on the idea, even though I recognize that most of the few programs to which I have developed a loyalty have come to me by Karen’s recommendation. For the most part (Glee notwithstanding), my wife has good taste.

The program that she submitted for my consideration (the second in two days) is called Person of Interest, and it is sort of a re-imagining of Minority Report. The difference is that, in Minority Report, the future crimes were predicted by mutants with pre-cognitive abilities. In Person of Interest, the predicting is accomplished in anonymity by a surveillance algorithm, leaving those with the information to do something about it. The person who invents the program comes into possession of the anonymous data, and hires a former CIA operative to handle the less savory aspects of solving the situation. He doesn’t shy away from violence, and metes out what justice he deems necessary to prevent the innocent from being harmed.

I don’t identify addic…er, I mean, loyal following…to any program after one episode. This one, however, has potential. Watch it and let me know what you think.

What strikes about both this program and Minority Report is the method used to prevent what is recognized as tragic…that is, the loss of human life. Both premises deserve credit for recognizing that human life is immeasurably valuable and must be preserved. However, the error that I see in both is the approach taken to preserving human life: violent justice. In fact, the violent justice that is justified as a means to protect the innocent ultimately necessitates that it must itself take life, and I’m reminded of the adage that my parents used to tell me that “two wrongs don’t make a right.” This smacks of a very Western, very American, method of using justice: that the enforcers of what is right and good do their enforcing by means of overwhelming force. Essentially, “might makes right” begins to be the accepted thought process.

Now, certainly, both Person of Interest and Minority Report are addressing larger themes as well, not the least of which are determinism over free will and the corruption resulting from power. I would guess that the nature of justice is likely far down the list of themes that leap out from these screenplays. I was just left thinking about this specifically today, though, after watching the pilot episode. I’m wondering about the better way to preserve the value of life…how do we do that as a culture? Our justice system emphasizes punishment, not grace. In fact, second chances in Western culture are rare events in any form, and I think we need to focus more on forgiveness and giving more grace as a culture. I also think, though, that a conscious decision must be made to recognize human life…every human life…as something inherently invaluable, and not a commodity that can be taken away at will for some transgression. We view life as so expendable. We view anger and retaliation as acceptable forms of response to a person or group that has done wrong.  The prevalence of “Wild West” violence on our streets, the willingness of our country to leap into war, are indicators of this.

I’m not naive enough to think that we can achieve a utopia of crime-free existence, and violent offenders will always be a sad reality. I just can’t help but think that cultural mores drive more individuals into the mindset of violent offenses than we might see otherwise. I also think that valuing a person for more than what they can produce or contribute would produce less un-addressed frustration that boils over into violence.

I also know that I’m opening a quagmire of debate by saying this. I think, though, that one of the things that these screenplays show us (perhaps inadvertently) is that justice does not have to be a response composed of overwhelming force. I think that there are gentler, and more effective, methods of protecting the innocent, not the least of which is a paradigm shift in which we see the life of the innocent as worth more than the possessions of which one might rob them, or the object of revenge for whatever wrong that they may have done without knowing. Perhaps a recognition that none of us are innocent, and that we would all like some form of second chance, would go a long way here, as well.  Something, ultimately, that is best accomplished with hearts and minds, not fists.

Discovering that is worth being addicted to a new program. These writers are saying something important, and I think that we should listen.

Photo Attribution: Dan4th

To Twist, or not to Twist?

I wasn’t planning on expanding on my last post, but I just found myself inspired.

When I say inspired, I’m talking about my work in progress, which is a science fiction novel. I met my self-imposed deadline, and finished Part I just before the new addition to the family arrived, working under the assumption that I would only have to time to edit for about a month after she was born, if I had time to do that. So far, I’ve squeezed out about an hour to tackle some editing, only to discover just how enormously monumental a task this is going to be.

When I say “rough draft,” I didn’t realize just how rough it is.

Tonight, though, I was finishing playing catch-up on Haven, which I blogged about at the beginning of the week. This season has ended with some excellent plot twists that I just didn’t see coming. I respect the writing a great deal, and I’m very much anticipating next season (we had to wait for season 2 after a cliffhanger, and they’re using the same approach between seasons 2 and 3).

I remember these sorts of plot twists in Heroes, as well…back in its first two seasons when it was still an excellent program. Unfortunately, it didn’t survive the writer’s strike, but the show was known for outstanding and inventive teasers and plot twists that kept you hooked from week to week. In that way, it left me in mind of the comic books to which it paid homage.

And, since those comic books inform my own work in progress, I’m wondering if that specific type of foreshadowing and twisting is even possible outside of a serial. That is, since I’m writing a novel, I wonder if its possible to include that in a novel’s format? Certainly, there are writers of various genres that have reputations for keeping the reader guessing as to what’s really going on. Yet, when I think of the great writers of speculative fiction…the Asimovs and Henleins…I don’t really see these types of plot twists in their work.

Not that I’m thinking that I could even possibly be at the level of those writers. I’m just inspired with these sorts of surprises in story arcs, and I’m left wanting to re-visit the ideas that I formulated for the second half of my work in progress. My concern with this project from the beginning has been that the plot is interesting, but not gripping. I’m inspired to explore the possibility of twisting the plot around a bit. Yet, I don’t want to impose something onto the story that doesn’t belong there. That is, I don’t want to try to make it something its not, but I don’t want to hold it back from reaching its potential, either.

Decisions, decisions. And that, of course, is assuming I have to time to explore any of this any time soon as I’m busy exploring my new role as “daddy.” Here’s to the weekend!

Boo!

Every now and then, I find myself right in the middle of a trend that I always vowed to avoid, and am amazed at myself. “How did that happen?”, I think to myself. Its not always a bad thing…typically pretty innocent, to be honest, and often, in the interest of being genuine about life, I just sort of roll with it.

Actually, “trend” isn’t really the right word choice there, because that brings to mind fashionable clothes and colloquialisms that could invoke images of me speaking vacuously and parading tight jeans down a catwalk (actually, if it brings that to mind, I’m sorry. So, so sorry). I guess “finding myself interested in something popular that didn’t interest me before” might be the better phrase, but it just seemed too wordy.

In any case, I’ve always avoided horror movies and slasher films. They’ve never interested me. And they still don’t. Its just that I typically avoided their close cousin, suspense, as well.  Ironically, I’ve always been heavily drawn to dystopian literature, specifically dystopian science fiction. I like the “this is what’s going to go wrong if we keep going the way we’re going” warnings that these stories present. I like a good action film as well as the next guy, as long as its not blowing things up for the sake of blowing things up. But suspense I’ve typically stayed away from, with only occasional exceptions in the past.

Lately, though, without realizing it, I realize that I’m into suspenseful tales. I first noticed it while watching  Dr. Who. Karen comments on random episodes that she doesn’t want to watch them because they look too scary. When I watch them without her, I realize that there is a suspenseful element to them…the sort of “jump because something just popped out of the closet” suspense. No violence, no bloodshed, just real suspense of the sort you would find in a good children’s tale.

Similarly (because Karen didn’t want to watch an episode), I’ve discovered the same thing about Haven. If you’re not familiar with Haven, its one of the more original concepts that the SyFy network has produced lately, and an unlikely addiction for me. The gorgeous location shots are enough to bring you back for each episode (the story is set in Maine, and filmed in Nova Scotia), and the plot is based on the works of Stephen King in very original ways. I’m not a Stephen King fan, and I’ve only ever seen one of his films that I can recall (and didn’t finish that one). Like I said, its just not my genre. I’ve never read any of King’s work, either. If I had, I would probably thrive on the hidden references that are sprinkled through the show that link back to King’s work and, as I understand it, thrill his fans. Still, Haven isn’t frightening or anything close to the horror genre. Its good science fiction, just dark and spooky enough to pique my interest from week to week.

I’m not sure why I’m drawn involuntarily to suspense and spookiness of late. It hasn’t shown up in my writing, at least not that I’m aware of, but I’ve noticed it popping up more and more in the things I enjoy watching since Karen has pointed this out to me. Its even popped up in recent reading choices. I’m interested to see where this goes in my story interests in the future.

Are you into scary? If so, I want to hear to hear about it…

Photo Attribution: The Intrepid Traveler