Travel Log: Seattle

The strange thing about visiting Seattle for the first time is that I had dreamed that I already had. I dreamed that I visited an office there for my day job, and had been surprised by how sparse the surrounding neighborhood had appeared. In my dream, it was essentially a suburb of L.A. Obviously, that couldn’t have been more wrong.

I arrived in the wee hours of the morning after a grueling 13-hour travel day that was the result of my airline “accommodating” me for a cancelled flight. There, at 1:00 a.m. local time in SeaTac airport (while my body was convinced that it was actually 4:00 a.m.), came my first experience with Seattle’s peculiarities with Lyft: the drivers always call or text to confirm your location (they also never seem to arrive on the same side of the street as you).

Welcome to Seattle sign at SeaTac Airport

I was in Seattle for 4 days, and experienced about 5 hours of sunlight during my stay. The stereotype of the city being all rain all the time certainly seemed to hold true for my visit. I was also surprised by the fog. I awoke on two mornings (always insanely early as my body remained stubbornly on East coast time) to find myself barely able to see neighboring buildings to my downtown hotel’s window for the fog.

When there is sun, though, the waterfront and Pike Place market are busy and fun. I also saw Seattle Pacific University, which I knew from listening to the Kindlings Muse in its prime, and had always wanted to see in person.

During my explorations, I found a fantastic allergy-friendly restaurant for lunch. If you’re gluten-free or dairy free, I very much recommend that you stop by Niche Cafe and Bakery if you’re in the city. I found no need to pack my own coffee and travel press as I usually do on trips, because, being Seattle, you’re never far from a good cup of coffee. This doesn’t just include Starbucks, of course. VoxxCoffee was only a block from my hotel, and a perfect stop before my daily excursions.

Seattle seems to be in a perpetual state of construction, and cranes dot the skyline like dinosaurs stretching their long necks above the treetops. I’ve read that the construction is because of a tech boom in the city. It certainly causes its share of pedestrian headaches.

Construction in downtown Seattle
Construction in Seattle effects the skyline, and the sidewalks below

Of course, whenever I’m in a city with a Hard Rock Cafe, I have to visit. I suppose that I had high expectations for this Hard Rock, given that Seattle is the birthplace of grunge, but I was disappointed. This was one of the least interesting Hard Rocks that I’ve seen.

Hard Rock Cafe, Seattle
Hard Rock Cafe, Seattle

I often don’t go see big tourist attractions because I’d rather see the city (I’ve been to New York City and never seen the Statue of Liberty). True to form, I suppose, I skipped the Space Needle. I did visit the Seattle Public Library on a recommendation though — it’s a stunning architectural achievement in its own right.

Seattle was backward to me. The water felt as though I was facing East (I’ve heard that confusion is normal), and seductive: it’s a downhill walk to reach the water, but you’ll get a good workout on the uphill walk back to the hotel. Seattle struck me as a dirty city, which surprised me. I felt as though I needed the rain for cleansing after I had walked a few blocks. As is often the case, Seattle was very different than I had imagined (or dreamed). I had always entertained the idea that I might like to live there, given its reputation for intellectualism. While I definitely enjoyed my visit, I’ve also crossed that thought off of my list. Seattle was fun, but I just simply need more sunlight in my life.

Syncopation

Image of snare drum with sticks. Used under creative commons.

A week ago from the time that I write this, I was driving home after dropping Karen and our girls off for a week-long trip to see some family. I was in the sort of contemplative mindset that I often find just out of reach lately. I drove past a house with a truck parked in the driveway. The logo on the side of the truck indicated that it belonged to a fire safety business. Because of where the truck was parked, and the time – it was a Sunday night – my mind, crafting stories as always, began to fill in the details.

The person who owned the truck worked for, or perhaps owned, that business, according to this story. This was a local business, and he would go to work the next morning, driving to jobs around the area, into adjacent towns. He likely knows the area extremely well, and is accustomed to the rhythm and schedule. This person would get up and go to work the next morning after the alarm went off at the same time as always, beginning a new day and a new week.

I grew up around that type of work. I understand – if only by close proximity instead of by doing – that rhythm. That rhythm is such a counterpoint to my life now.

A few weeks ago, I sat in a small local restaurant in Seattle and, over lunch, coordinated a complex technical event that was happening in Boston from my phone. That sort of flexibility and capability is exciting, and fun. I still don’t grasp the rhythm of this work, though, perhaps because there isn’t any. Time bends in on itself, loses its meaning. Everything happens with immediacy. I long for a rhythm, for some local work.

A colleague joked a few years ago that she wanted to stop doing our profession and be a barista for a living. I laughed at this, and I also recalled a friend from my undergrad days. He said that, when he finished school, he didn’t care if he worked at a gas station all night for a living. He just wanted to write. I remember laughing at that too, but, honestly, sometimes I wish that I could just serve coffee during the day, read, and finish that novel, the draft of which has been collecting dust since our first daughter was born. I think that, when I want that, I want it not only because it would be simpler, but because the rhythm would be more….defined.

The rhythm of the life that I have now, filled with fast-paced technology and the controlled chaos of two children, is syncopated, wildly unpredictable. There’s a sense that it’s always delicately balanced, just on the edge of being out of control. There’s no real option but to embrace that syncopation at the moment. Like in jazz, those rhythms can have a purpose, even be playful at times. I long for the quiet, though, the purpose of knowing that your work is just your work, and that it is done when it is done.

Perhaps that is a thing of the past.

Image attribution: Vladimir Morozov under Creative Commons.